
Wednesday, 10 December 2008
Shooting Calendar

Friday, 21 November 2008
contents page
CONTENTS
Page 1 - Research into similar texts
Page 2 – Initial ideas mind map
Page 3 – Research into potential target audience
Page 4 – Titles order
Page 5 – Pitch
Page 6 – Storyboard
Page 7 – Shooting schedule
Page 8 – Shooting calendar
Page 9 – Props and location list
Page 10 – Company logo
This is our contents page, which will appear in our Coursework assignment booklet.
Thursday, 13 November 2008
Props And Locations
LOCATION
- The sequence will be filmed, in a group members house, which provides easier access to film our sequence.
- This will allow the audience to get a better idea as to what type genre the film is, gives more detail into how and why the sequence is being filmed there, and could add a sense of mystery, and more realistic views to enhance the viewers thoughts on the sequence.
PROPS
- Fake blood - Made with PVA glue and red paint. - This creates a horror element, as it suggests gore.
- Knife - For the protagonist to use as a suggestive weapon when shown at the end of the sequence.
couple.
COSTUME
- Man - Casual clothing
- Woman - Casual clothing
Having our actors wear casual clothing, helps suggest the environment and situation they are both in.
Titles Order
TITLES ORDER
We watched and analysed a film known as 'Man on Fire.' We took notes on the order and type of titles that appeared in the first 10 minutes of the film. We took these as examples and created our own list of how our titles shall appear in our sequence. These are the order of the titles which will come up in the opening of our film.;
- Company Logo
- Company Name
- Main Characters
- Film Title
- Other Actors
- Casting
- Costume Designer
- Music
- Produced By
- Directed By...
Shooting Schedule
Shot Number | Type | Duration | Location | Mise-en-Scene |
1 | 3 seconds | Kitchen | Dim lighting, Atmospheric music, Sink. | |
2 | Stairwell | |||
3 | ||||
4 | Long Shot | 3 second | College room | |
5 | Close up | Stairwell | Man speaking on phone, dim lighting, stairwell | |
6 | 5 seconds | College room | High key lighting, bookcase, table | |
7 | Long shot | 6 seconds | Dim lighting, stairwell, man speaking on phone. | |
8 | Pan | 6 seconds | Driveway of house | Front of house, girl walking towards door, natural lighting. |
9 | Medium shot / Match on action | 4 seconds | Hallway of house | Girl entering house, dim lighting. |
10 | Long shot | 3 seconds | Hallway of house | Girl walking down hallway, diagetic sound of door slamming. |
11 | Medium shot | 4 second | Living room | Girl enters living room, dim lighting, diagetic sound of white noise on TV. |
12 | Long shot | 4 seconds | Living room | Girl turns on light, high key / low key lighting effects, diagetic sound of white noise on TV. |
13 | Close up | 3 seconds | Living room | Close up of girls face in shock, high key lighting, digetic sound of white noise on TV. |
14 | Birds eye view | 4 seconds | Man sat on floor with knife / cat, high key lighting, diagetic sound of white noise on TV. | |
This is an example of how our sequence will be laid out. We will attempt to follow these restrictions as best we possibly can.
Thursday, 6 November 2008
Quantum of Solace Analysis - By Glen.
Quantum of Solace Analysis
The opening sequence of Quantum Of Solace begins with an establishing shot of some winding roads in Italy. For a few seconds there is no sound then the camera sweeps over a tunnel with the sound of cars racing through. Three cars then come into the shot, one of which is trying to escape the other two. We find out that the car trying to escape is driven by the main character, James Bond. We are left in suspense as to why the two other cars are chasing him and trying to shoot him. Later we hear the digetic sound of traffic under the sound of the cars speeding, this leads us to believe that they are approaching traffic.
We see that James Bond is a superior driver as he weaves in and out of traffic whilst being shot at, one of the pursers meanwhile collides with a truck. We see close ups of Bond’s face as bullets fly past his head, this shows his desperation to escape his pursuers.
As the action progresses the music becomes louder and intensifies. The camera zooms in on small details such as gear change and triggers being pulled, this scrambles the viewers attention and makes the action seem more complex and intense. Each shot is fast and the camera shakes to make the action harder to register making it seem more severe. We still have no clue as to why the pursuers and chasing Bond, at the very end of the opening sequence after he has evaded the pursuers he opens the boot of his car to find he has kidnapped a villain, and it was his henchman that were trying to kill Bond and retrieve him. The whole sequence then makes sense and the anticipation is lifted. The credits then follow.
Initial Ideas Mind-Map.
Monday, 3 November 2008
Chloe & Emily's Analysis of Man on Fire.
Man On Fire Analysis
In the opening sequence of ‘Man on Fire’, there is a establishing shot of Mexico City, which portrays the idea of a large busy city setting. This scene is accompanied calm and peaceful music, with the sounds of violins and cellos. This sets the scene of a busy city early on a morning. However, there is use of diagetic sounds. Such as church bells, the sharpening of knives, children’s laughing and chatting. These sounds give significance to the film, as it suggests the film’s theme of kidnapping. The sounds imply death, due to the knife sharpening and church bells, and eerie sounds of children’s laughter, adding a suspicion to the audience.
As the scene progresses, the beat of the music becomes more rapid, and the camera effects differ from fast pans, and quick zooms. This suggests a change in the films pace, and that more action is about to happen. In this scene we hear a scream, as a car pulls up to the two main characters, in which the camera had been focusing on throughout the scene. The camera shops become more unsteady and more zooms are added. This creates tension and uncertainty in the audience.
There is then a phone call. Which has voice over the action of the car speeding away, and showing the victim being tortured. This presents a typical kidnapping scene, and creates suspense to the viewer.
Research On Suitable Certificates.
Research On Certificate 15
In order to make our opening sequence suitable for our target audience, We researched the certificate 15, which is what we aim to achieve in our own production.
We chose this certificate because we are planning to base our clip on a horror/thriller movie. This could contain aggressive language and violent scenes with slight horror. With this in mind I found that in a 15-certificate movie there may be frequent use of strong language. But the strongest terms will be acceptable only where justified by the context. Continued aggressive use of the strongest language is unlikely to be acceptable. This means we will be careful to keep strong language n moderation when we come to write our script. Another term and condition of a 15-certificate I researched was the rules for violence. I found that violence may be strong but may not dwell on the infliction of pain or injury. Scenes of sexual violence must be discreet and brief.
These limitations seem to fit in with the ideas we have came up with so far for our opening sequence, however, we decided to research the 18-certificate as well because many films from the horror/thriller genre have an 18 certificate. I found that the 18 certificate has the same conditions with some alterations as it allows more scenes of a sexual nature and strong uses of language and violence. We then cam to the conclusion that a 15 Certificate would definitely be more suitable.